Transcend the boundaries
And split the lark.
All the skins
that you’ve shed
stand stark.
These times have slowed you;
Put a film
over your eyes.
Peeled back sharply;
An owl's cry.
Flood waters rush and
I get this forever feeling
That this will stay,
Manic Ego driven
ability superior.
The next moment,
I am gasping
for colors again
like a fish deep below.
Deep fish below.
Walking the shallows.
Inside me, whales.
Wetting the reed
after the music has played.
Gaining and losing
Sight of touch.
© 23-May-2012 Sonja J. Johnston
Wednesday, May 23, 2012
Tuesday, May 22, 2012
Comin' to Town
You just stepped off
And a man said something,
“Poncha, if that ain’t alright.”
Waiting for the big screen,
Bebop hummin’ the foundation.
Travelin' again
with the sound of the wind.
Shot off, leaving behind a perfect
Set.
Givin' it up to lay it down
For bigger things
That surround.
© 12-Sep-2007 Sonja J. Phinney
And a man said something,
“Poncha, if that ain’t alright.”
Waiting for the big screen,
Bebop hummin’ the foundation.
Travelin' again
with the sound of the wind.
Shot off, leaving behind a perfect
Set.
Givin' it up to lay it down
For bigger things
That surround.
© 12-Sep-2007 Sonja J. Phinney
Held
Second arrival,
encased and slumbering.
The cargo was stopped
for this lifeless shell.
This moment,
This moment now,
Timed out over and over again.
Into the moment, a harsh berrang!
The space,
weakened.
An instant passes,
and another.
"I am afraid."
The terror speaks inside.
It is loud inside;
full, but rock still.
She made herself invisible.
© 1993 Sonja Phinney
encased and slumbering.
The cargo was stopped
for this lifeless shell.
This moment,
This moment now,
Timed out over and over again.
Into the moment, a harsh berrang!
The space,
weakened.
An instant passes,
and another.
"I am afraid."
The terror speaks inside.
It is loud inside;
full, but rock still.
She made herself invisible.
© 1993 Sonja Phinney
Tuesday, May 08, 2012
His Cheshire Teeth
Running into the Roar,
Into the Cheshire teeth of some mad man
gesturing semantically
about some invented theory.
A baby-doll sits staring lifelessly alive in
the little red rocking chair built just for her.
Beyond the reach of this,
A dash of hair and reflections corner the windows.
Caught in the confines, the turbines of mental illusion.
Far away, to water, pulled away out of body
Drawn to pools, throwing pebbles.
As others feed off blackened coals.
Waves without sound
Lions parade.
A thought is relayed, that calms the man's clatter
I look at him with Qi.
Eyes open and close closets full of recognition.
God mighty music to the soul.
In another second, we both know that no drug is needed
for this insanity.
It is something as simple as this.
Sometimes music is not heard, but walks in your soul.
It can be a powerful tool in taming the savage.
©- 07-Sep-2007 Sonja J. Phinney
Into the Cheshire teeth of some mad man
gesturing semantically
about some invented theory.
A baby-doll sits staring lifelessly alive in
the little red rocking chair built just for her.
Beyond the reach of this,
A dash of hair and reflections corner the windows.
Caught in the confines, the turbines of mental illusion.
Far away, to water, pulled away out of body
Drawn to pools, throwing pebbles.
As others feed off blackened coals.
Waves without sound
Lions parade.
A thought is relayed, that calms the man's clatter
I look at him with Qi.
Eyes open and close closets full of recognition.
God mighty music to the soul.
In another second, we both know that no drug is needed
for this insanity.
It is something as simple as this.
Sometimes music is not heard, but walks in your soul.
It can be a powerful tool in taming the savage.
©- 07-Sep-2007 Sonja J. Phinney
Saturday, May 05, 2012
Lyre in the Meadow
Children echo out from atop
doorways and spring mattresses
A pair of eyes,
points of harmony.
In fields of our childhood,
history is sung through the
stories carried by the wind.
© 1988 -Sonja J. Phinney
doorways and spring mattresses
A pair of eyes,
points of harmony.
In fields of our childhood,
history is sung through the
stories carried by the wind.
© 1988 -Sonja J. Phinney
Wednesday, May 02, 2012
Clave Snap
In the morning,
I sneeze out the ashes
of my leftover dreams.
Oh to leave the enrichment of
the internal riverbed made.
Where the unknown familiars communicate.
Where I am brave enough to ask, but also foolish enough
to dare enter.
I leave traces everywhere like bread crumbs
of myself.
They are snatched up by hungry scavengers.
Seemingly innocent mysteries
Seemingly innocent crimes.
Shape around the morning clap of claves.
Snapping behind my lashes.
© Sonja J. Johnston 02-May-2012
I sneeze out the ashes
of my leftover dreams.
Oh to leave the enrichment of
the internal riverbed made.
Where the unknown familiars communicate.
Where I am brave enough to ask, but also foolish enough
to dare enter.
I leave traces everywhere like bread crumbs
of myself.
They are snatched up by hungry scavengers.
Seemingly innocent mysteries
Seemingly innocent crimes.
Shape around the morning clap of claves.
Snapping behind my lashes.
© Sonja J. Johnston 02-May-2012
Tuesday, May 01, 2012
The White Glove
Watch out!
She'll pry and pry
as a way to get you to
cry, try, by and by.
The years will desecrate you.
Metal over porcelain
fears of scraping
gaping and stabbing
She has the need to clean plate.
Pinball knocks the side bumper
and wheels to my toes
Gutter ball, side rails,
snails and trails of beaten
fluid.
I wish to burn, bruise, ignite.
So give me something bitter
my sweet
to cure me of this ill
The clock ticks in my belly
of mother-in-law glue.
© 19-Jan-2010 Sonja J. Johnston
She'll pry and pry
as a way to get you to
cry, try, by and by.
The years will desecrate you.
Metal over porcelain
fears of scraping
gaping and stabbing
She has the need to clean plate.
Pinball knocks the side bumper
and wheels to my toes
Gutter ball, side rails,
snails and trails of beaten
fluid.
I wish to burn, bruise, ignite.
So give me something bitter
my sweet
to cure me of this ill
The clock ticks in my belly
of mother-in-law glue.
© 19-Jan-2010 Sonja J. Johnston
Subscribe to:
Posts (Atom)